12/10/2023 0 Comments Dinosaur jr sweep it into space cd![]() Mascis replies with a solo that’s extravagant perfection. Where there are signs of Vile’s enigmatic input, they’re illuminative, the sparkling purity of the lead lines and arpeggios from his 12-string on I Ran Away as joyfully melodic as Johnny Marr in his Smiths prime. ![]() He then sounds deliciously wry on I Met The Stones, recalling over a filthy powerchord riff, “I got excited, I got depressed”, of the night the one-time drummer broke the ‘never meet your heroes’ commandment to shoot the breeze with Charlie Watts. There’s a sense of weary longing in Mascis’ voice as he repeats the confessional refrain “I ain’t good alone” while a series of ostentatious string bends detonate in the spaces between his drowsy vocal lines. Opener I Ain’t establishes an early sense of bristling anticipation, Mascis and Vile exchanging growling chords as a propulsive bassline and unrefined 4/4 beat crash in. Mascis’ writing and lead playing continue to mature gracefully with his advancing years and these are finely crafted pop songs adorned with some truly exceptional soloing. The band’s familiar fuzz-drenched post-hardcore assault is present and correct throughout their 12th studio album, yet they cover as much stylistic ground as on 2012’s varied I Bet On Sky. It’s not clear precisely what Vile’s producer role entailed, or what Sweep It Into Space would have sounded like if the sessions hadn’t been curtailed, but that’s irrelevant because the finished record is as strong as anything Dinosaur Jr have produced since Mascis and bassist Lou Barlow buried the hatchet in 2005. With the sessions cut short for a record that was originally due to be released in the middle of 2020, Mascis was forced to get the first Dinosaur Jr release since 2016’s consistently strong Give A Glimpse Of What Yer Not over the line on his own, finishing off the guitar work and playing keyboards instead of regular collaborator Ken Mauri. The laconic duo cut an unlikely modern incarnation of Scott Gorham and Brian Robertson, and the plan was never fully realised due to the intervention of Covid. READ MORE: Heritage Custom Core H-150 Review: The Kalamazoo brand’s flagship single-cut gets the Custom Shop treatmentįormer War On Drugs member and acclaimed solo artist Vile was enlisted by Mascis because he “was listening to a lot of Thin Lizzy, so I was trying to get some of that duelling twin lead sound”.They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.You’d struggle to find two more laid-back astral pilots in the musical universe than Dinosaur Jr main man J Mascis and Kurt Vile, producer and co-guitarist on Sweep It Into Space, the fifth album in the 16 years since the Massachusetts alt-rock legends were reborn. ![]() They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. But there are very few moments where you wouldn't know you were hearing Dinosaur Jr. Lou's songs here are as elegant as always. As is typical, Lou Barlow writes and sings two of the album's dozen tunes and Murph's pure-Flinstonian drumming drives the record like a go cart from Hell. Indeed, Sweep It Into Space is a very cool album. The only extra musician used this time with Kurt Vile. Recorded, as usual, at Amherst's Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast/ South East tour. And Sweep It Into Space is a masterpiece of zoned dialing. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. Originally scheduled for issue in mid 2020, this record's temporal trajectory was thwarted by the coming of the Plague. Here is Sweep It Into Space, the fifth new studio album cut by Dinosaur Jr. The 13th studio album from these indie rock legends, coproduced by Kurt Vile!
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